Colleen Dewhurst | |
---|---|
Born | June 3, 1924 Montreal, Quebec, Canada |
Died | August 22, 1991 South Salem, New York, U.S. |
(aged 67)
Occupation | Film, stage, television and voice actress |
Years active | 1952–91 |
Spouse | 1) James Vickery (1947–60; divorced) 2) George C. Scott (1960–65; divorced); 2 children 3) George C. Scott (1967–72; divorced) |
Partner | Ken Marsolais (1975–91) |
Children | Alexander Scott (born 1960) Campbell Scott (born 1961) |
Colleen Rose Dewhurst (June 3, 1924 — August 22, 1991) was a Canadian-American actress known for a while as "the Queen of Off-Broadway." In her autobiography, Dewhurst wrote: "I had moved so quickly from one Off-Broadway production to the next that I was known, at one point, as the 'Queen of Off-Broadway'. This title was not due to my brilliance but rather because most of the plays I was in closed after a run of anywhere from one night to two weeks. I would then move immediately into another."[1] She was a renowned interpreter of the works of Eugene O’Neill on the stage, and her career also encompassed film, early dramas on live television, and Joseph Papp's New York Shakespeare Festival.
Contents |
Dewhurst was born in Montreal, Quebec, the only child of Ferdinand Augustus "Fred" and Frances Marie (née Woods) Dewhurst, a businessman and homemaker, respectively. Her father had been a "well-known athlete in Canada, where he had played football with the Ottawa Roughriders".[2] Her mother was a practitioner of Christian Science, which her daughter would also adopt.[3] Her family moved to Massachusetts in 1928 or 1929, staying in Boston, Dorchester, Auburndale, and West Newton. Later they moved to New York City. After her parents separated, she and her mother relocated to Whitefish Bay, Wisconsin, where she graduated from Riverside High School in 1942. She went on to attend Milwaukee-Downer College.[4]
Her most significant achievement was the 1974 Broadway revival of O'Neill's A Moon for the Misbegotten as the farm girl Josie Hogan opposite Jason Robards's Jamie. Dewhurst won a Tony Award for her work. Dewhurst played Katharina in a 1956 production of Taming of the Shrew for Papp. She (as recounted in her posthumous obituary in collaboration with Tom Viola) wrote: "With Brooks Atkinson's blessing, our world changed overnight. Suddenly in our audience of neighbors in T-shirts and jeans appeared men in white shirts,jackets and ties, and ladies in summer dresses. We were in a hit that would have a positive effect on my career, as well as Joe's, but I missed the shouting."[1] Dewhurst played Shakespeare's Cleopatra and Lady Macbeth for Papp and, years later, Gertrude in a production of Hamlet at the Delacorte Theatre in Central Park.
Dewhurst and Scott met while working together in 1958, in Children of Darkness, while they were both married to other people. Dewhurst and Scott married and divorced twice. They had two sons, Alexander Scott and actor Campbell Scott. Colleen Dewhurst won two Tony Awards and four Emmy Awards.
She appeared with Ingrid Bergman in a production of O'Neill's More Stately Mansions on Broadway in 1967. Quintero also directed her in O'Neill's Long Day's Journey into Night and Mourning Becomes Electra. She appeared in Edward Albee's adaptation of Carson McCullers' Ballad of the Sad Cafe, and she played Albee's Martha in a Broadway revival of Who's Afraid of Virginia Woolf which Albee directed himself. She won a Tony Award for Best Featured Actress in 1961 for All The Way Home.
She appeared in 1962 as Joanne Novak in the episode "I Don't Belong in a White-Painted House" in NBC's medical drama, The Eleventh Hour, starring Wendell Corey and Jack Ging.[5] Dewhurst appeared opposite her then-husband, Scott, in a 1971 television adaptation of Arthur Miller's The Price, on Hallmark Hall of Fame, an anthology series, and there is another television recording of them together when she played Elizabeth Proctor to his unfaithful John in Miller's The Crucible (with Tuesday Weld. In 1977, Woody Allen cast her in his film Annie Hall as Annie's mother.
In 1972 she played a madam, Mrs. Kate Collingwood, in The Cowboys (1972), which starred John Wayne. In 1985, she played the role of Marilla Cuthbert in Kevin Sullivan's adaptation of Lucy Maud Montgomery's novel Anne of Green Gables, and reprised the role in 1987's Anne of Avonlea (also known as Anne of Green Gables: The Sequel), and in several episodes of Kevin Sullivan's Road to Avonlea. Dewhurst died before the character of Marilla could be written out and her final scenes were picked up off the editing-room floor and pieced together for her death scene. .
During 1989 and 1990, she appeared in a supporting role on the television series Murphy Brown playing the feisty mother of Candice Bergen's title character; this role earned her two Emmy Awards.
Dewhurst was president of the Actors' Equity Association from 1985 until her death from cervical cancer in 1991. Dewhurst's Christian Science beliefs led to her refusal to countenance any kind of surgical treatment. Maureen Stapleton wrote about Dewhurst: "Colleen looked like a warrior, so people assumed she was the earth mother. But in real life Colleen was not to be let out without a keeper. She couldn't stop herself from taking care of people, which she then did with more care than she took care of herself. Her generosity of spirit was overwhelming and her smile so dazzling that you couldn't pull the fucking reins in on her even if you desperately wanted to and knew damn well that somebody should."[1]
Dewhurst was married to James Vickery from 1947 to 1960. Later she was twice married and divorced from stage, film and television actor George C. Scott for a total of approximately 10 years. The couple had two sons, Alexander and Campbell, an actor. She co-starred with Campbell in Dying Young (1991), one of her last performances.
During the last years of her life, she lived on a farm in South Salem, New York, with her partner, Ken Marsolais. They also had a summer home on Prince Edward Island, Canada.
Dewhurst died, age 67, at her South Salem home. She was cremated and her ashes were given to family and friends; no public service was planned. In addition to her sons, she was survived by two grandchildren.
Over the course of her 45-year career, Dewhurst won the 1974 Sarah Siddons Award for her work in Chicago theatre, two Tony Awards, two Obie Awards and two Gemini Awards. In 1989, she won the Genie Award for Best Performance by an Actress in a Supporting Role for her role in Hitting Home. Of her 12 Emmy Award nominations, she won four. She was inducted into the American Theatre Hall of Fame in 1981.[6]
Year | Film | Role | Notes |
---|---|---|---|
1959 | The Nun's Story | Archangel Gabriel (Sanatorium) | |
1960 | Man on a String | Helen Benson | |
1961 | The Foxes | television film | |
1962 | Focus | television film | |
1966 | A Fine Madness | Dr. Vera Kropotkin | |
1967 | The Crucible | Elizabeth Proctor | television film (adaptation of the play The Crucible) |
1971 | The Last Run | Monique | |
1972 | The Cowboys | Kate | |
1973 | Legend in Granite | Marie Lombardi | television film |
1974 | Parker Addison, Philosopher | Hostess | television film |
The Music School | Hostess | television film | |
McQ | Myra | ||
The Story of Jacob and Joseph | Rebekah | television film | |
1975 | A Moon for the Misbegotten | Josie Hogan | television film (adaptation of the play A Moon for the Misbegotten) |
1977 | Annie Hall | Mrs. Hall | |
1978 | The Third Walker | Kate Maclean | |
Ice Castles | Beulah Smith | ||
1979 | Silent Victory: The Kitty O'Neil Story | Mrs. O'Neil | television film |
When a Stranger Calls | Tracy | ||
And Baby Makes Six | Anna Kramer | television film | |
Mary and Joseph: A Story of Faith | Elizabeth | television film | |
1980 | Death Penalty | Elaine Lipton | television film |
Escape | Lily Levinson | television film | |
Guyana Tragedy: The Story of Jim Jones | Mrs. Myrtle Kennedy | television miniseries | |
The Women's Room | Val | television film (based on the book The Women's Room) | |
A Perfect Match | Meg Larson | television film | |
Baby Comes Home | Anna Kramer | television film | |
Final Assignment | Dr. Valentine Ulanova | ||
Tribute | Gladys Petrelli | ||
1981 | A Few Days in Weasel Creek | Aunt Cora | television film |
1982 | Split Cherry Tree | Mother | |
Between Two Brothers | television film | ||
1983 | Sometimes I Wonder | Grandma | television film |
The Dead Zone | Henrietta Dodd | ||
1984 | You Can't Take It with You | Grand Duchess Olga Katrina | television film (adaptation of the play You Can't Take It with You) |
The Glitter Dome | Lorna Dillman | television film | |
1985 | Anne of Green Gables | Marilla Cuthbert | television film |
1986 | Between Two Women | Barbara Petherton | television film |
Johnny Bull | Marie Kovacs | television film | |
As Is | Hospice Worker | television film | |
The Boy Who Could Fly | Mrs. Sherman | ||
Sword of Gideon | Golda Meir | television film | |
1987 | Hitting Home | Judge | television film |
Bigfoot | Gladys Samco | television film | |
Anne of Avonlea (also known as Anne of Green Gables: The Sequel) | Marilla Cuthbert | television film | |
1989 | Those She Left Behind | Margaret Page | television film |
Termini Station | Molly Dushane | ||
1990 | The Exorcist III | Pazuzu (voice) | uncredited |
Woman in the Wind | |||
Kaleidoscope | Margaret | television film | |
Lantern Hill | Elizabeth | television film | |
1991 | Dying Young | Estelle Whittier | |
Bed & Breakfast | Ruth |
Year | Title | Role | Notes |
---|---|---|---|
1957 | Studio One | teleplay: First Prize for Murder | |
1958 | Kraft Television Theatre | teleplay: Presumption of Innocence | |
Decoy | Taffy | one episode: "Deadly Corridor" | |
The DuPont Show of the Month | teleplay The Count of Monte Cristo | ||
1959 | Aldonza/Dulcinea | teleplay: I, Don Quixote | |
Play of the Week | Mordeen Saul / Woman | teleplays: Burning Bright; Medea | |
The United States Steel Hour | Vera Brandon | teleplay: The Hours Before Dawn | |
1961 | Play of the Week | teleplays" No Exit; The Indifferent Lover | |
Ben Casey | Phyllis Anders | one episode: "I Remember a Lemon Tree" | |
1962 | The Eleventh Hour | Joanne Novak | one episode: "I Don't Belong in a White-Painted House" |
The Virginian | Celia Ames | one episode: "The Executioners" | |
The Nurses | Grace Milo | one episode: "Fly, Shadow" | |
1963 | The United States Steel Hour | Francie Broderick | teleplay: Night Run to the West |
The DuPont Show of the Month | Karen Holt | teleplay: Something to Hide | |
1964 | East Side/West Side | Shirley | one episode: "Nothing but the Half Truth" |
1965 | Dr. Kildare | Eleanor Markham | one episode: "All Brides Should Be Beautiful" |
The Alfred Hitchcock Hour | Nurse Ellen Hatch | one episode: "Night Fever" | |
1966 | The F.B.I. | Amy Doucette | one episode: "The Baby Sitter" |
The Big Valley | Annie Morton | one episode: "A Day of Terror" | |
1971 | ITV Saturday Night Theatre | Mrs. Franz | teleplay: The Price |
Hallmark Hall of Fame | |||
1972 | Molly Joyce | teleplay: The Hands of Cormac Joyce | |
1973 | Wide World Mystery | Margery Landing | one episode: "A Prowler in the Heart" |
1979 | Studs Lonigan | Mary Lonigan | miniseries |
1982 | Quincy, M.E. | Dr. Barbara Ludow | one episode: "For Love of Joshua" |
The Blue and the Gray | Maggie Geyser | miniseries | |
1983 | Great Performances | Red Queen | teleplay: Alice in Wonderland |
1984 | Finder of Lost Loves | Rachel Green | one episode: "Echoes" |
The Love Boat | Maud | one episode: "My Mother, My Chaperone/The Present/The Death and Life of Sir Alfred Demerest/Welcome Aboard: Part 1 and Part 2" | |
1985 | A.D. | Antonia | miniseries |
1988 | The Twilight Zone | Alley Parker | one episode: "There Was an Old Woman" |
1989 | Moonlighting | Betty Russell | one episode: "Take My Wife, for Example" |
1989–1990 | Murphy Brown | Avery Brown Sr. | three episodes: -"Brown Like Me: Part 1 and Part II" (1989) -"Mama Said" (1989) -"Bob & Murphy & Ted & Avery (1990) |
1990 | Road to Avonlea | Marilla Cuthbert | three episodes: - "Of Corsets and Secrets and True, True Love" -"The Materializing of Duncan McTavish" -"The Quarantine at Alexander Abraham's" |
Year | Film | Role |
---|---|---|
1952 | Desire Under the Elms | Neighbor |
1956 | Tamburlaine the Great | Virgin of Memphis / Turkish Concubine |
1957–1958 | The Country Wife | Mrs. Squeamish |
1960 | Caligula | Caesonia |
1960–1961 | All the Way Home | Mary Follet |
1962 | Great Day in the Morning | Phoebe Flaherty |
1963–1964 | The Ballad of the Sad Cafe | Miss Amelia Evans |
1967–1968 | More Stately Mansions | Sara |
1970 | The Good Woman of Setzuan | Shen Te |
1971 | All Over | The Mistress |
1972 | Mourning Becomes Electra | Christine Mannon |
1973–1974 | A Moon for the Misbegotten | Josie Hogan |
1976 | Who's Afraid of Virginia Woolf? | Martha |
1977–1978 | An Almost Perfect Person | Irene Porter |
1982 | The Queen and the Rebels | Argia |
1983–1984 | You Can't Take It with You | Olga |
1988 | Long Day's Journey into Night | Mary Cavan Tyrone |
Ah, Wilderness! | Essie Miller | |
1989–1990 | Love Letters | Melissa Gardner |
|